Loba Red → Visual artists

Illustrator and teacher. Her work centres on drawing as a tool for storytelling and observing the world around her, combining line, colour and play as essential elements of her visual language.
She holds a degree in Fine Arts from the University of Seville, where she also completed a Master’s degree in Art, Idea and Production. She has also furthered her training in intaglio and lithography techniques at the CIEC Foundation (International Centre for Contemporary Printmaking).
As an illustrator, she has carried out projects for institutions and organisations such as the Canary Islands School Board, La Orotava Town Council, the Lanzarote Island Council, Las Palmas de Gran Canaria Municipal Buses, the CajaCanarias Foundation and the Ecofest festival, amongst others.

Painter from Tenerife who trained in illustration and design. His artistic practice stems from his observation of everyday life, exploring Canarian identity, the local landscape and social dynamics through a colourful and highly detailed figurative style.

He is currently working on a series of paintings centred on food which, through humour and irony, serve as a reflection of human behaviour. His works combine domestic and symbolic elements to construct scenes that invite us to reflect on coexistence, desire and our relationship with the environment.

Multidisciplinary artist and a PhD candidate in Arts and Humanities at the University of La Laguna. His practice is rooted in Artistic Practice-Based Research (APBR), exploring the relationship between territory, collective memory and the archaeology of residual spaces. Throughout his career, he has evolved from interventions in public space and the use of waste as a raw material towards material and autoethnographic research that addresses extractivism, the transformation of the landscape and ways of inhabiting the territory. He is also the founder and director of the cultural association TrashLab Project, through which he promotes projects in critical creation and cultural management.

He is currently developing *Archaeology of the Void*, a multidisciplinary project investigating the impact of property speculation and the disappearance of traditional architecture in the Canary Islands. Through painting, modular sculpture made from salvaged rubble, and ceramics, he constructs a visual and material archive of demolished spaces, transforming the territory, memory and architectural remains into tools for reflection on the transformations of the landscape and collective identity.

Writer, poet and visual artist. His work is based on an interdisciplinary approach to the artistic creative process and on an in-depth exploration of the limits of the human condition and its relationship with nature. In collaboration with the pianist and composer María Isabel Martín, he launched the artistic project ‘Missing Re’ in 2017, which combines literature with music and video art. He has directed the short films ‘Y tendrá tus ojos’, ‘Nunca más’, ‘La llegada’ and the multi-channel installation ‘El cuaderno de las flores azules’. He has taken part in numerous exhibitions of painting, sculpture, video and photography, notably the Fotonoviembre Biennale (2021), the Nudo Festival (2022) and his solo exhibition at the Casa Fuerte in Adeje (2025). He was a finalist in the ‘Cuentos del Agua’ International Short Story Competition, as well as in the Isaac de Vega Short Story Prize, amongst others. He is the author of the poetry collections *Océano abajo* (La Palma Publishers, 2017) and *El cuaderno de las flores azules* (Algani Publishers, 2024), as well as the illustrated stories *¿Pirata, yo? ’ (Algani Editorial, 2019) and ‘Margarita ojos de luna’ (Algani Editorial, 2026). He has illustrated the children’s books ‘El buen corsario Amaro Pargo’ by Alfredo López Pérez (Algani Editorial, 2021), ‘Fompi’ by Cecilia Domínguez Luis (Algani Editorial, 2024) and ‘Dímelo en Canario 2’ by Clara Isabel Rufino Baquero (Algani Editorial, 2025).

Visual artist who grew up in a small village in the province of Ávila and currently lives in Tenerife; this experience of moving between different places runs through much of her artistic practice.
Her work explores territory as a space of memory. Drawing on her observations of the rural Castilian landscape, she investigates the material, emotional and historical traces that remain inscribed in places, particularly those undergoing processes of abandonment and transformation.
Through drawing and the use of techniques such as ink, charcoal and watercolour, she develops symbolic cartographies constructed from fragments of territory. Through processes of accumulation and erasure, her works reflect on the fragmentary nature of memory and on the ways in which landscapes retain traces of those who once inhabited them. She sees drawing as a way of preserving these spaces and bearing witness to their history. The act of copying or reconstructing becomes an exercise in enduring in the face of oblivion and a means of maintaining a connection with those spaces that now lie empty.

Since 2019, m a n e z has been working across the fields of illustration, mural art and cultural mediation, with a particular interest in the social dimension of artistic creation, which she sees as a key tool for the regeneration of public spaces, community building and the creation of spaces for reflection.

Her work reveals hints of ecological and anthropological discourses that explore the dynamics of interdependence between human beings and their environment. Adopting a collaborative, gentle and critical perspective, she investigates concepts such as relational ecologies, hybrid bodies, interspecies coexistence and composting, delving into them through fictionalised futures and alternative narratives. Her visual imagination draws directly on magical realism and everyday memory. Through traces, textures and a fresh, fluid line, her work highlights both its conceptual depth and its artistic exploration.

Explores the memory of images and objects that span history. Through a practice that combines painting, textiles, embroidery and contemporary craftsmanship, she transforms ancestral techniques into a radically contemporary language. Her work engages with the Renaissance to explore issues of identity, desire, power and time. Each piece emerges from rigorous research and a painstaking process, in which the material retains the imprint of the hand and the mind. At this intersection of temporalities, what remains becomes a new way of reinterpreting the present and of looking at ourselves.

Multidisciplinary artist whose practice lies at the intersection of textile art and photography. A graduate in Fine Arts from the University of La Laguna, her research is rooted in the observation of the coastal landscape and the ecological issues affecting the Canary Islands’ marine environment. By collecting ropes, nets and cords eroded by the sea, she develops a visual language inspired by the organic forms of the marine ecosystem. By reintegrating these pieces into the landscape through photography, she creates a hybridisation between object and territory that challenges the boundaries between the natural and the artificial. Her work reflects on the transformation of matter and on how marine debris ultimately becomes part of our experience of the landscape.

Self-taught, she began her artistic practice in 2025 with her brand HEITO. Her current work takes the form of paintings in which she explores geometric abstraction, optical balance and the interplay between vibrant colours, using threads of various materials and thicknesses to create textures within the same weave. Her artistic curiosity lies in exploring plant-based fibres, such as those from banana plants, and biomaterials, and how these interact with the geometric grid. She has exhibited her work at the IKB191 showroom (Madrid), PopArq at the COAM (Madrid) and at two editions of the Art Alcaravaneras Open Studio.